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A teenage boy shamed into volunteering to fight isn’t a hero, he’s an exploited victim

March 16, 2015 by Inside MAN 7 Comments

Earlier this month an analysis of Royal Navy records revealed that more than 100,000 of the volunteers who enlisted to fight in WW1 were boys aged 14 to 17, too young to either fight or vote.

In addition to these boy sailors, as many as 250,000 underage recruits enlisted to the Army. Their service records showed that the younger the soldier, the more likely he was to be killed.

By any common moral standard – by which I mean precisely the same moral standard we use to judge the actions of gaolers who force-fed Suffragettes – you’d think we would say those boys were victims of brutal state-sanctioned exploitation and vicious gendered discrimination.

You would expect national outcry and soul searching into what callous insanity could have led both society and the government to divide a generation of children along gender lines and decide one half was worthy of protection and safety, while the other should be subjected to unimaginable brutality.

Sepia-tinted tragedy

Except the story barely raised a ripple in the sea of voices that make up the mainstream conversation about gender, a conversation which focuses almost exclusively on the problems men cause, rather than those they face.

As an added irony, the news that one third of WW1’s Navy volunteers were in fact boys, appeared just two days before International Women’s Day, a day on which the only permissible narrative about men is one that describes their power and privilege.

There have been a handful of articles and documentaries addressing the issue of WW1’s boy soldiers to mark the centenary of the war, but I’ve yet to see a single account that frames the issue as one of gendered discrimination, let alone express outrage at that injustice.

Instead, they fall into a cosy narrative of sepia-tinted tragedy and heroism – it’s terribly sad that all these young lads lost their lives, to be sure, but that’s just how it was then, don’t you know. And anyway the main thing to remember, with misty eyes, is what heroes they were.

Image: BBC

There are two things these articles always emphasise – that the boys were heroes and how enthusiastic they themselves had been to enlist. By the same token, there are two things that are always glossed over – the horror and terror of combat and the social pressure imposed on boys and young men to prove their manhood.

In other words, these reports employ pretty much exactly the same techniques that have always been used to disguise both the reality of war and the state coercion and social stigma that forces men to sign up for it.

But at the heart of this obfuscation and spin is the need to show these boys – boys who by today’s standards were too young to consent to sex, let alone make informed choices about going to war – ultimately made the decision to enlist of their own free will.

Rarely is there any mention of the psychological impact of the ever-present Kitchener’s finger, of the music hall propaganda songs, of the vicious shame of the White Feather, of the pride many parents took in being able to say their son was doing his bit, or of the girls giggling at the sight of young men in uniform.

Playground propaganda

I have a hunch why there is such reluctance to acknowledge the immense pressure these boys were under to sign up — it’s because that way both traditionalists and feminists get to hold on to their beliefs about men.

Traditionalists are able to maintain the idea that any right-thinking man and boy knows his duty as provider and protector, while feminists get to continue to perpetuate the myth that the history of gender politics can be reduced to one long saga of men’s agency and privilege.

Meanwhile, no-one is forced to confront the fact that virtually within living memory, Britain’s attitude to its boys was not so different to that of a Central African war lord.

One recent BBC documentary included a segment in which an actor read out extracts from a propaganda comic of the time, over a line-drawn image from the comic of a shell exploding in the middle of a make-shift football pitch.

“It would take a lot to put a British Tommy off his football. Here a German shell exploded right on the field of play. To show their contempt for the enemy’s fire, they continued their game.”

Kitchener’s finger

Incredibly, the segment was simply used as a colourful illustration of what one boy soldier asked for when he wrote home – a comic. Neither explicitly or implicitly did the programme question the messages or motives behind the comic, or how a diet of this kind of reading matter may have influenced boys to enlist.

(This, just to be clear, is the same BBC that regularly provides a platform for outrage over the harm caused to girls by half-naked women in Lads Mags.)

Another report in The Times, about the youngest soldier to have gone to the front – a 12-year-old boy who ended up fighting at the Battle of the Somme – emphasised how he and other underage boys managed to “trick” recruiting sergeants into believing that they were older than then they really were. Those poor recruiting sergeants, outwitted by children who were so determined to get to the front.

“What could have impelled a young boy to place himself in such danger?”, asks the article’s author, wide-eyed.

The real question is, why are we still so determined to pretend that when young men join the military, it has nothing whatsoever to do with what society expects of them.

By Dan Bell

If you liked this article and want to read more, follow us on Twitter @insideMANmag and Facebook

Also on insideMAN:

  • Why Kitchener’s finger gives me the arsehole
  • How local media shamed readers into fighting in WW1
  • The bravery and brutality of being a conscientious objector
  • Why does Sky’s comedy series ‘Chickens’ still think it’s funny to humiliate men who didn’t go to war?

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Filed Under: Men’s Issues Tagged With: Articles by Dan Bell, boy soldiers, Teenage Tommies, WW1, WW1 centenary

Why does Sky’s comedy series ‘Chickens’ think it’s funny to humiliate men who didn’t fight in WW1?

August 18, 2014 by Inside MAN 24 Comments

Picture this opening scene from a series currently being shown on Sky.

A furious woman smashes a milk bottle on the doorstep of a small cottage, before storming off in disgust. The camera pauses for a moment to show the front wall of the house. It’s covered with scrawled and abusive graffiti: “Evil parasites.” “House of shame.” “Just die.” “Sad little wankers.” “Cowards.” “We will never forgive you.” “Stinking Judas rats.” “You are cancer.”

This must be the hard-hitting opening shot for a gritty drama, right? Perhaps it’s exploring the treatment of men who crossed the picket lines during the miners’ strike? Or maybe it’s about a community’s reaction to finding out a convicted paedophile has been resettled in their town?

But you’d be wrong. This is a scene from a Sky 1 comedy series about how a village of women treat the only three men from their town who have not gone to fight during WW1. The series is called “Chickens”. I am not making this up. You can watch it online right now.

Image: Sky

The show is essentially a series of set pieces in which the three men — a conscientious objector, a man who is medically unfit to fight and man who is simply afraid – are shamed, laughed at and humiliated by scores of women.

At first I assumed I must have been missing something. Surely, somewhere, there would self-reflection or criticism of the humiliation being milked for laughs? But there wasn’t. The men are the butt of the joke and their weakness and cowardice is the punchline.

In one scene, after a woman demands that Cecil — who incidentally is the one discharged as medically unfit — justifies why he hasn’t enlisted, he says: “I really believe in this war and I’m really keen to help.” She replies: “Rubbish, if you were really keen to help you would have killed yourself to raise morale.”

‘Most-hated man in the village’

In another, the three men encounter a group of women standing around the village green notice board, posted with three sheets of paper with their names at the top.

One of the men asks enthusiastically: “What’s going on here then?” One of the women replies: “We’re voting to decide who should be the Guy we burn on bonfire night.” “Oh, look how well I’m doing!” says one of the men. Another of the three men cuts in: “Don’t get too excited Burt, they’re essentially voting for the most-hated man in the village.”

Just in case you might be thinking the contempt of the female characters is really about reflecting badly on the women of the time, this is what one of the lead actresses has to say in a behind-the-scenes interview for the series, also available online:

“What’s great is to see a village full of women who are just really getting on with it, just couldn’t give a toss that the men have gone, really, except for basic plumbing issues and the occasional need for someone to shag them,” she trills happily.

The men receive daily hate-mail from the village’s women (Image: Sky)

And according to the writers of the series — the same men who are responsible for The Inbetweeners — the series is actually intended to celebrate women’s roles during WW1.

In an interview with the Guardian, one of the writers said: “Our hope, and the thought behind it, is for it to be a quasi-feminist sit-com. When we originally came up with the idea, there was a worry that it could be a bit misogynistic – this idea of us as the only men left and isn’t it horrible living in England now it’s full of women. But you see, actually, that the women cope very well. It’s the men who don’t.”

“They are three pathetic men in a village full of people who hate them,” agrees another one of the writers. “Hopefully, you’ll end up empathising with them, because their social prospects are impossible, really. People throw things at them in the street.”

We have truly gone through the Looking Glass here into some kind of Orwellian understanding of justice and compassion.

A hidden history

Perhaps you think I’m being po-faced and humourless about a series that’s just meant as a bit of fun. But the ugly and rarely acknowledged truth is that women really did shame men and boys into going to their deaths.

According to historian Nicoletta Gullace, in addition to the relatively well-known white feather movement, one female-led campaign enrolled 20,000 women “to persuade their men to enlist and to scorn those who refused”. The women were said to have encouraged hundreds of thousands of men to sign up. According to Gullace, this was “merely one of a multitude” of such campaigns.

You can also hear what those men went through in their own words. Their stories, recorded before the last of the First World War veterans died, are held on tapes in the archives of the Imperial War Museum in London.

One man recalls walking across a bridge in London when four girls surrounded him and gave him white feathers – the symbols of cowardice given by women to men who were out of uniform.

‘The look in his eye has haunted me ever since’

A lifetime after the event, you can still hear the pain in his voice as he says: “I explained to them that I had been in the Army and been discharged and I was only sixteen. Several people had collected around the girls and there was giggling and I felt most uncomfortable… I felt very humiliated. I finished the walk over the bridge and there on the other side was the Thirty-seventh London Territorial Association of the Royal Field Artillery. I walked straight in and re-joined the Army.”

Another man quietly describes the morning his brother, a miner, received a feather in the post. “He opened the letter at the breakfast table and a white feather dropped out, there was nothing else in it than that. Just a white feather. He got up off that table, white faced, and he went out of that house. That was the last time I ever saw him alive.”

Another recalls how his under-age cousin was “blew to pieces” after women’s taunts led him to enlist, and how insults drove an over-aged friend to insanity and eventually death. “The look in his eye has haunted me ever since… The cruelty of that white feather business needs exposing.”

This is all but deleted from our collective memory of WW1. Now this comedy series, one of the few occasions when the vicious practice of shaming men for cowardice is remembered at all, chooses to humiliate and mock those men once again. I’m sorry, but I don’t find that very funny.

By Dan Bell

If you liked this article and want to read more, follow us on Twitter @insideMANmag and Facebook

Also on insideMAN:
  • Why Kitchener’s finger gives me the arsehole
  • Do I look like I’m ready for war? 17 year-old boy on conscription and WWI
  • The bravery and brutality of being a conscientious objector: one man’s story
  • 100 years after WWI the UK sill sends teenage boys to fight its war

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Filed Under: Men’s Interests Tagged With: Articles by Dan Bell, Blood of our sons, Chickens, conscientious objection, conscientious objectors, First World War, Inbetweeners, men and war, Nicoletta Gullace, white feather, White feather movement, WW1, WW1 centenary, WW1centenary

‘Do I look like I’m ready for war?’: 17-year-old boy on conscription and WW1

August 3, 2014 by Inside MAN 11 Comments

http://youtu.be/PJ4J4jKqNCo

No-one bothers to ask what conscription-age boys think about the gendered slaughter of WW1.

So we did.

Here are the thoughts of Josh O’Brien, a 17-year-old boy who during the First World War, would have faced the prospect of conscription and being sent to the trenches.

What do you think? Why doesn’t our culture and media discuss the slaughter of WW1 in terms of being a gender issue for men?

To watch more of Josh’s videos, check out his YouTube channel here.

If you liked this post and want to see more, follow us on Twitter @insideMANmag and Facebook

Also on insideMAN:

  • Teenage boy tells Yvette Cooper why she has no right to re-educate young men as feminists
  • Gaza: why does it concern us more when women and children die?
  • 100 years after World War I the UK still sends teenage boys to fight its wars

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Filed Under: Men’s Insights Tagged With: First World War, Josh O’Brien, men and war, white feather, White feather movement, WW1, WW1 centenary

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