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Why Kitchener’s finger gives me the arsehole

July 1, 2016 by Inside MAN 16 Comments

Image: BBC Radio Times

If there is one image from the First World War that’s more iconic than any other, it is the Big-Brother stare and jabbing index finger of Lord Kitchener.

A century after the propaganda campaign ended, it’s an image that is still all around us — the original now re-versioned and re-deployed on everything from coffee mugs and duvet covers, to jaunty student union flyers, tourist T-shirts and even for David Cameron’s Big Society.

It’s so ubiquitous, in fact, as to have morphed into kitsch; the lazy go-to stock image for anyone who wants to knock-up a quick call to action.

But that accusatory forefinger isn’t just an old bit of Keep-Calm-And-Carry-On retro irony. It stands for a unique and brutal form of discrimination. What’s more, no-one either seems to notice or even care if they do.

The shame of fear

The explicit purpose of the Kitchener recruitment poster was to shame every man of enlistment age who saw it into signing up. It was a demand by the state that men and boys risk death and trauma or face becoming a social pariah if they refused.

In short, it is an expression of ultimate, state-sanctioned, socially-reinforced gendered discrimination – total control of the state over the bodies of one half of the population.

I’d like to suggest that you put yourself in the position of a young man walking past those posters back in 1914.

As he walked down the high street, or waited for a bus, or went into a post office or a library, that finger was pointing at him.

Jab in the chest

But more than that, no matter how crowded those streets and buildings were with women, each of them remained entirely untouched by its accusation. Every man, however, would have felt that finger jabbing into his chest, those eyes boring into the back of his head.

And the young man would have felt the force of that shame from the women who stood beside him too.

Kitchener’s two-dimensional jab in the chest was made flesh by women’s unique power to shame men for cowardice, a power that was ruthlessly exploited by the state and often enthusiastically adopted by women themselves.

Take a moment to think about it. An image that makes no explicit gendered statement at all – the simple words “Your Country Needs You” makes no reference to men or women – yet it was nonetheless totally understood only to apply to men.

What else must we be blind to?

That silent image was a manifestation of society’s deep and iron-clad demands on men and the stigma that stalked them should they refuse to conform.

The shame of male cowardice must have been like the weight of the atmosphere, so close to your skin that you couldn’t feel where your body stopped and it began.

The fact that now — fully 100 years later – we glibly fail to notice that this is the core meaning of that poster says a lot about how we view male suffering and disadvantage today.

Take a look at the Radio Times’ interpretation of the Kitchener poster on its front page. Then notice the headline for Kate Adie’s two-page spread on women entering the work force as a result of WW1.

Which one of these is most sensitive to the gendered sacrifices of the First World War?

If we can’t, even today, see conscription and pervasive social stigma as a gendered injustice for men, what else must we be blind to?

By Dan Bell

If you liked this post and want to see more, follow us on Twitter @insideMANmag and Facebook

Also on insideMAN:

  • Do I look like I’m ready for war?: 17 year-old boy on conscription and WWI
  • Gaza: why does it concern us more when women and children die?
  • ‘He refused to fight’: The bravery and brutality of being a conscientious objector
  • 100 years after WWI the UK still sends teenage boys to fight its wars

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Filed Under: Men’s Insights Tagged With: cowardice, First World War, Lord Kitchener, men and war, Propaganda posters, The Great War, white feather, White feather movement, WW1, WW1centenary

‘Your country needs you’: why did so many volunteer in 1914?

August 29, 2014 by Inside MAN Leave a Comment

By Toby Thacker, Cardiff University.

On the first day of the war in 1914, British newspapers published appeals for young men to join the colours, and to fight against Germany. Following the advice of the new Secretary for War, Lord Kitchener, the government decided to raise a huge volunteer army, hoping in two or three years, when the other armies were exhausted, this would tip the scales in Britain’s favour.

Over the next few weeks, thousands of young men came forward. When the first grim news of casualties and of the retreat from Mons arrived in late August, more volunteered, and after the fall of Antwerp in early October, there was a renewed surge. On some days, more than 10,000 men enlisted.

By Christmas 1914, hundreds of thousands had come forward, and this continued well into 1915. Men from all social classes and all areas of Britain volunteered. Others who were overseas in August 1914 travelled thousands of miles to get back and enlist. Whole groups from individual companies, offices, and universities joined up together. There were far more volunteers than the government could arm or equip, and most had to spend months training in civilian clothes, without proper weapons.

Why did so many volunteer? There was a huge recruiting campaign, led by newspaper advertisements, and supported by posters, including Reginald Leete’s famous image of a mustachioed Kitchener with pointing finger. Meetings were held in every town and village where politicians, priests, and local worthies exhorted men to do their patriotic duty.

Who could say no?

There was a broad national consensus that Britain was fighting a righteous war, and that volunteering was, put simply, the right moral choice. We should not underestimate the climate produced by years of pre-war public discourse, which had anticipated a war against Germany in which young men would be needed to reinforce Britain’s small professional army. Since the Boer War there had been calls for conscription. These had been supported by invasion scares, and by novels such as Erskine Childers’ Riddle of the Sands. Reprints of this book were prefaced by the author’s call for every British man to do national service, “with the rifle”, or at sea. Officer Training Corps had prepared middle and upper class schoolboys for leadership, and given them some rudimentary training.

So strong was this mood that some volunteered even before the actual declaration of war. Siegfried Sassoon was one who enlisted, together with his horse, on reading in The Times that volunteers would be needed in the event of war. Rupert Brooke, who became the most widely read war poet, similarly recognised before the actual outbreak of hostilities, that he would affected: “It will be Hell to be in it, and Hell to be out of it,” he wrote.

Undoubtedly the narrative of young men volunteering in a shared mood of patriotic enthusiasm has some strength. But others faced painful choices. For many men of military age the call to arms initiated a period of soul searching, often lasting for months. It was not a decision they made alone.

Some, like war chronicler Vera Brittain’s brother Edward, were pulled in different directions by friends and relatives. In his case, his sister urged him to volunteer, but his father refused to countenance the idea. Rupert Brooke did volunteer, after some weeks’ hesitation, but he faced bitter criticism from former Cambridge friends, many of them pacifists.

Peer pressure

How many young men, now unknown to history, were pushed one way by friends and workmates, and pulled in another by anxious parents? Those who did not volunteer faced insults from the press, and were publicly ridiculed for their lack of “manliness”. Many were presented with white feathers by women, something which often left a lasting sense of shame. In the family, amongst friends in the pub, and in the workplace, they faced derision, contempt, and intimidation.

For some it took more courage not to volunteer than to yield to the pressure. Strikingly the only areas where volunteering fell below the high national average rate were in the countryside, where young men were exposed to less social pressure, and in places like rural Wales, where there was a tradition of pacifism.

It was indeed this growing social pressure which helped maintain the flow of volunteers well into 1915. The painter Stanley Spencer and the poet Edward Thomas, who both volunteered in July 1915 after months of indecision, are good examples. When, reluctantly, the government introduced conscription in March 1916, it found no great reservoir of manpower to tap. A high percentage of those conscripted appealed for exemption, and had to be coerced into service.

The narrative of voluntarism has given the British perception of World War I its particular poignancy. The soldiers who went over the top at the Somme were not conscripts, or pressed men. But we need, before succumbing to this mythology, to remember what the poet Charles Sorley pointed out after Rupert Brooke’s death: that it would have been more difficult for him not to have volunteered.

Toby Thacker is affiliated with the Labour Party

This article was originally published on The Conversation. Read the original article.

Photo courtesy: State Library of South Australia

If you liked this article and want to read more, follow us on Twitter @insideMANmag and Facebook

Also on insideMAN:
  • Why does Sky’s comedy series ‘Chickens’ think its funny to humiliate men who don’t fight?
  • Why Kitchener’s finger gives me the arsehole
  • Do I look like I’m ready for war? 17 year-old boy on conscription and WWI
  • The bravery and brutality of being a conscientious objector: one man’s story
  • 100 years after WWI the UK sill sends teenage boys to fight its war
  • Gaza: why does it shame us more when women and children die

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Filed Under: Men’s Issues Tagged With: conscientious objection, First World War, Lord Kitchener, men and war, white feather, WW1, WW1centenary

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